Weaverly

Low Tech

It takes some getting used to a loom without a computer interface of some sort, if your weaving life has been computer-centric for so long. This morning I found myself sitting at the loom and looking for the on/off button. 

Although my very first weaving experience was overshot on a Structo at age eleven or so, I hadn't done much overshot since then. Until now. I chose a draft with wheels and tables, an oldie called "Conestoga". I found it in Davison, page 138.

The warp is striped in yellow and olive green, with a blip of red. The first sample, above, has a light gray tabby weft. I played around with the treadling to alter the proportions of the wheels, and changed the tabby weft to dark red for the second sample.

I love the gentle whooshing sound this loom makes. I leave the doors open and I can hear the birds while I weave.

 

And This Just In

It has finally arrived, and at last I have a loom with rear-hinged treadles, suitable for my particular idiosyncrasies. 

It will also allow me to weave wider pieces than before. I've left the back four shafts unused, and warped it up with a straight draw on four shafts. I'm using up bits of yarn from my stash for warp & weft.

No electronics, no computer. Plain weave only, so far, just to put the loom through its paces. 

Here's a lovely bit of handspun cotton rescued from a dark corner:

And mustn't ignore what's going on outside. Spring is just bursting out.

I was worried that the newly planted Japanese maple in my backyard was a goner, but yesterday it just sprang to life and I think it's going to be fine.

And to round things off, here's a snapshot taken while I was stopped at a traffic light. Those panels of cracked paint on the rear doors caught my attention. 

Here's one of them cropped and turned on its side. There must be something one can do with that.

New Amalgamation, New Colorway

First an April sky. It suggests new adventures, more mingling with the outside world, hopeful changes ahead. 

Now a new warp for the 16-shaft Dobby. This time I wanted a monochromatic amalgamation. My stash being what it is, I went for an almost-monochrome, a pale yellow warp in 6/2 unmercerized cotton and a natural weft of 5/2 mercerized. 

This is an amalgamated, networked twill on 12 shafts, with the rear four shafts reserved for a basketweave selvedge in red. 

The yarns play nicely together at 20 epi and ppi. Click to enlarge. 

For more information on amalgamation, see Monographs in sidebar.