I'm back to work on the triptych. This is the start of the first panel, and a closeup of the weave.
The red part is one of the "wrong side" weaves," a bit spidery up close but it reads very well from a few feet away. You can see why I wouldn't want to use huge amounts of this structure in any given piece.
I'm allowing generous hems on both ends of each panel, so that when the three pieces are assembled I'll have some wiggle room with their lengths. There is no auto-advance on my TC-1, so I am relying on consistency of beat to keep all three panels roughly the same length. It gives me new respect for coverlet weavers who do their overshot coverlets in panels with a very visible seam going up the middle. I'm not trying to hide the selvedges—I just want the image to flow gracefully across the divides.