Weaverly

Revisiting Structures

As I hadn't yet seen the Blue Ridge Fiber Show, and it's closing in January, we headed up the mountain today. The skies looked like this. We were undeterred.

This is always an enjoyable and varied show, with work by professionals and beginners alike. There's a good helping of weaving and felting, and I noticed a generous amount of very accomplished spinning this year. The garments were outstanding. You can check out a listing of award winners, but you'll need a magnifying glass to see the pictures. The conditions weren't optimal for me to photograph the work with my phone; however, I did manage to get a decent picture of this wonderful garment by Teena Tuenge:

Afterwards we drove to Teena's for a studio visit and I asked her about the very versatile structure she uses for many of her garments. She reminded me that she wrote an article about it in Issue #100 of the Complex Weavers Journal. If you're lucky enough to have this issue, look it up. It's a fascinating study.

Here's Teena at one of her looms.

Black on Black, and a Bit of Pink

I'm sewing some black hook & loop tape onto black fabric which will in turn be handsewn onto the tops of woven panels, which will then be affixed to a hanging rod covered in the corresponding hook & loop tape. Black on black, with black thread in the sewing machine, is a challenge for the best of eyes. Whew! But the hard part is now finished.

Time to take a break and go outside for the mail. There I was met by a very appealing pink sunset. What a reward!

Fog and the #10 Foot

It's been raining for the past several days, a very good thing. This morning, as the rain tapered off, the fog settled in for a while, which made for some interesting effects as I took my walk (I almost expected a few vampires to jump out from behind the trees). This photo looks better if you click on it to enlarge.

Back in my nice dry studio, I snapped the #10 foot onto my 25-year-old Bernina and set to work on the selvedges of the double twill project. I want all six panels to hang separately, but together; I thought it would be a good idea to reinforce the selvedges with some unobtrusive stitiching. This foot has a vertical metal barrier down the center, so you can butt two pieces against each other and stitch, with great accuracy. For a trial, I placed a piece of an old sample on the left, and a perle 3 cotton on the right, and zigzagged over them. Thken I pulled on the perle cotton cord to straighten the edge. Here is the foot:

And here's the fabric, with the stitching finished. Note the ripple.

Now here it is after pulling on the cord. All straight!

Looks like it's going to work.

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Flash!!! This just in!! Bruce has published some great pictures of our trip to The Woolery. Take a look.

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In the Home Stretch

This morning we awoke to the welcome sound of rain. But it didn't last long enough, and the sun came out before noon. The air is still very smoky from all the forest fires in our region.

Weaving proceeding. I've been careful to pace myself. I quit after two hours today, and have this to show; the sixth (and final) panel is begun.

I've been looking for a jacket with a high visibility color for my neighborhood walks. Last night Bob & Suzanne came over and I admired Bob's orange jacket. "This would fit you," he observed. Want to trade?" We went down to the studio & looked through some longstitch books and he found one he liked with a lampas cover. Deal! Everybody happy, and I have a nice new (to me) orange jacket. Here's a detail of the sleeve.

 

Juggling

Back to the hanten. I placed the fronts & sleeves on the back piece, and then laid a folded black cotton fabric on top to judge the effect of a plain collar band. The commercial fabric was all wrong, I will have to weave another piece for this jacket. Not the same fabric, of course. I think it will be a plain weave in black cotton warp & weft, with a few random stripes of red & green placed in the warp--the red & green yarns are still in my stash.

The problem is that no looms are vacant. This hanten will have to go on the back burner for a while. In other words, another UFO.

A funny thing happened this week. One of my spinning wheels found a new home and I had to quickly finish spinning & plying this batch of gray wool in order to empty the bobbins. It was nonstop spinning for a few days, but I got it done.

And just as a special treat, pistachio ice cream.

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Fitting Pieces Together

Fitting Pieces Together

It is time to cut up the yardage from a few months ago and make something of it. I'd like a new hanten type jacket. Unfortunately, my fabric shrunk to 11 inches wide, and some piecing has to be done. I cut some strips from the hanten front sections and spliced them in between the back sections. Then I think I will splice in some plain black fabric (to be purchased) to make the fronts wide enough, and also make the collar strip from black fabric. There is enough of the handwoven for sleeves. Maybe even for a pocket. I know pockets are not traditional, but where else to put my cell phone?

My beat is not consistent, so you can see some pattern shift in the center back seam, as you go from the top to the bottom. I'm not bothered by it; I'm certainly amused.

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Both Sides Now

Three Pillows, Under the Wire

Baseball Stitch and My Shadow Life

It's that time of year, and some baseballs just come to the end of their normal lifespan. I saw this one lying by the side of the road when I took my morning walk. The reason I love this picture is that it perfectly illustrates the baseball stitch. I use baseball stitch to join sections of fabric together for blankets, as many weavers do. Now, my friends, can there be any doubt as to how this stitch got its name?

Whenever my walk is early enough (or late enough) in the day, the shadows are extra long. Here's a good catch:

A little messing around with Photoshop, and I got this:

...which inevitably led to this:

Now if you're a weaver, you can guess where this one is heading.

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A Bad Weaving Day

Building Community

Open Studios has now come and gone, and a special memory is of all the neighbors who stopped by to say hello. I know some of these people by sight; we all wave at each other as we take our morning walks. But now we have put names and faces together, and chatted about our families and our hopes for them. So we have taken another step in building community, and it feels good.

Willy helped me set up the studio entrance as a friendly, welcoming spot. Bruce was as ever my number one support system, and incidentally inflated more balloons than I can count. The balloons & wall hanging are attached to the little hut that houses the air compressor for my TC-1, just beside the door.

And on the other side of the door is where we put a hanging I retrieved from deep storage, a double twill affair. W said it looked just right with all the autumn leaves, and he was right.

 

My friend Ellen sat with me and helped stitch up pincushions before things got too busy. She also ensured that guests remembered to record their zip codes (very important!!), and welcomed everyone with her distinctive warm greeting.

Here are some interior views of the studio while we were waiting for the first visitors. After they began arriving, there was no more time for picture taking.

The most thrilling moment of the weekend was when this bus pulled up in front of the house and disgorged the Board of Directors of the Metropolitan Arts Council; somehow the entire crowd managed to fit into the studio!

Thanks family, friends, neighbors, MAC and all the other nice people who showed up. I love you all.

 

Three Pillows, Under the Wire

While I should have been vacuuming the studio and putting away the odd bits and pieces, it was much more fun to make three more pillows for Open Studios. Just under the wire! This double twill fabric of wool and silk was woven several years ago, but I finally got around to cutting it up. I thought there was enough fabric for two pillows, but lo and behold, I was able to eke out three. They are what you might call lumbar pillows, 14" x 24". I decided to do the third one reverse side up for variety. Here's the glamour shot, outside among the fallen leaves and acorns.

Fancy Bred

I needed a quick 12x12 piece for an upcoming show and had nothing even close. Piecework to the rescue. I added black borders to a brocaded bird sample and wrapped a prepared canvas. Done. Title: Fancy Bred, part of a quote from Merchant of Venice. Click to embiggen.

Non-related trivia: seen in the Publix parking lot. My kind of girl.

And yet another of those crazy skies, a few days ago.

And, unfortunately, another jacquard, in another waiting room.